{"id":180,"date":"2024-06-27T15:56:13","date_gmt":"2024-06-27T13:56:13","guid":{"rendered":"https:\/\/www.francomazzucchelli.it\/?page_id=180"},"modified":"2026-10-04T14:08:14","modified_gmt":"2026-10-04T14:08:14","slug":"6-exhibitions","status":"publish","type":"page","link":"https:\/\/www.francomazzucchelli.it\/ENG\/6-exhibitions\/","title":{"rendered":"Exhibitions"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>INTERVENTION&nbsp;&nbsp;<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"text-decoration: underline;\">Abbandoni&nbsp;<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1964&nbsp;&nbsp;<\/strong><br>Parc Les Arnelles, Place de l\u2019\u00c9glise, Saintes-Maries-de-la-Mer, Camargue, France&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1968&nbsp;&nbsp;<\/strong><br>Via Crenna, Gallarate, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1969&nbsp;<\/strong><br>Villa Crippa, Varese, Italy&nbsp;<br>Via Crenna, Gallarate, Italy&nbsp;<br>Saintes-Maries-de-la-Mer, Camargue, France&nbsp;<br>Biblioteca Villapizzone, Milan, Italy&nbsp;<br><em>Nuove strutture plastiche a funzione estetica<\/em>, Centro Internazionale Ricerche Plastiche 2B,&nbsp; Bergamo, Italy&nbsp;<br>Ozzero, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1970&nbsp;<\/strong><br>Alpe Bill, Macugnaga, Italy&nbsp;<br>Lago di Como, Como, Italy&nbsp;<br>Via Cesare Battisti, Gallarate, Italy&nbsp;<br>Saintes-Maries-de-la-Mer, Camargue, France&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"text-decoration: underline;\">A.TO A.&nbsp;<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1970&nbsp;&nbsp;<\/strong><br>Piazza San Fedele, Piazza Meda, Via Hoepli, Via Catena, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1971&nbsp;&nbsp;<\/strong><br>Alfa Romeo, Via Traiano, Milan, Italy&nbsp;<br>Liceo Artistico, Torino, Italy&nbsp;<br>Santa Margherita Ligure, Italy&nbsp;<br><em>Kunstzone<\/em>, Monaco di Baviera, Germany&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1973&nbsp;&nbsp;<\/strong><br><em>Volterra 73. Sculture, Ambientazioni, Visualizzazioni, Progettazione per l\u2019alabastro, Problemi del&nbsp; centro storico<\/em>, Piazza dei Priori, Volterra, Italy, curated by Enrico Crispolti&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"text-decoration: underline;\">Sostituzioni&nbsp;<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1973&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>s<em>ostituzione<\/em>, Zona azioni, 15\u00aa Triennale, La Triennale di Milano, Milan, Italy, curated by Nanda Vigo&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"text-decoration: underline;\">Riappropriazioni&nbsp;<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1975&nbsp;<\/strong><br>Sant&#8217;Angelo Lodigiano, Italy&nbsp;<br>Mede Lomellina, Italy&nbsp;<br><em>Festival dell\u2019Unit\u00e0<\/em>, Castello Visconteo, Pavia&nbsp;<br>Bresso, Italy&nbsp;<br>Meda, Italy&nbsp;<br><em>Festival de L\u2019Unit\u00e0<\/em>, Simplon Park, Milan, Italy<br>Franco Mazzucchelli e Vittorio Corsini, Fontia, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1976&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>In piazza per inventare<\/em>, Cava Manara, Italy&nbsp;<br><em>Arte e societ\u00e0. Interventi di Mauri e Mazzucchelli, <\/em>Centro Internazionale di Brera, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1978&nbsp;&nbsp;&nbsp;<\/strong><br>Villa Reale di Monza, Monza, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1996&nbsp;&nbsp;<\/strong><br><em>Pneuenvironment, <\/em>Arte + Scienza, Accademia di Belle Arti di Brera, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026<br>Riappropriazione, Villa Natacha, Biarritz, France (In the context of the artist&#8217;s solo exhibition at Galerie Champ Lacombe)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"text-decoration: underline;\">Environmental Intervention&nbsp;<\/span><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1972&nbsp;&nbsp;<\/strong><br>Rally dei Navigli, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1974&nbsp;&nbsp;<\/strong><br><em>Case Aperte<\/em>, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1983&nbsp;<\/strong><br>Courtyard of honour of Palazzo di Brera, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1984&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>Palazzo del Senato, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1985&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>Courtyard of honour of Palazzo di Brera, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1987&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Milano Poesia<\/em>, Rotonda della Besana, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1995&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Genovantacinque<\/em>, Festival Internazionale di Poesia, Genoa , Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1996&nbsp;&nbsp;<\/strong><br><em>Pneuenvironment, <\/em>IED Istituto Europeo di Design, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2003&nbsp;&nbsp;&nbsp;<\/strong><br>Moats of the Sforza Castle, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2004&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>Moats of the Sforza Castle, Milan, Italy&nbsp;<br><em>Arte allaria. Artisti oltre lo specchio<\/em>, Loggia dei Mercanti, Milan&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2005&nbsp;<\/strong><br>Tarcento, Italy&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2006&nbsp;&nbsp;<\/strong><br><em>Specchio d&#8217;Acqua 2<\/em>, Canale di Ponte Rosso, Trieste, Italy, curated by Maria Campitelli&nbsp; <em>Contemporaneo Italyno<\/em>, Palazzo Berlaymont, Bruxelles, Belgium&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2007&nbsp;&nbsp;<\/strong><br><em>Arte Mito, La Ferrari nella scultura contemporanea<\/em>, Parco Rangoni Machiavelli, Pozza di&nbsp; Maranello, Italy&nbsp;<br><em>Art Process<\/em>, Trapani, Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008&nbsp;<\/strong><br><em>Palinsesto<\/em>, Erice, Italy&nbsp;<br><em>Avio Superficie<\/em>, Cascina Molino, Vespolate, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2009&nbsp;<\/strong><br><em>A tutta Danza!<\/em>, Museo MA*GA, Gallarate, Italy&nbsp;<br><em>Wurmkos parole<\/em>, Piazza Luigi Petazzi, Milan, Italy, curated by Pasquale Campanella&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010&nbsp;&nbsp;<\/strong><br><em>Percorsi dello sguardo. Arte del \u2018900 e oltre<\/em>, Centro Culturale Altinate\/San Gaetano, Padua, Italy,&nbsp; curated by Nicola Galvan&nbsp;&nbsp;<br><em>Sconfinamenti<\/em>, Cortile del Museo Ala Ponzone, Cremona, Italy&nbsp;<br>Museo Diocesano, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015&nbsp;&nbsp;<\/strong><br>Parco Archeologico della Valle dei Templi, Agrigento, Italy, curated by Tonino Difazio e Linda&nbsp; Saporito&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2016&nbsp;&nbsp;<\/strong><br><em>Fiume Adige<\/em>, Verona, Italy&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2018&nbsp;&nbsp;<\/strong><br><em>SALVAMI | ANDATA-RITORNO<\/em>, Milano Centrale, Milan, Italy, curated by Sabino Maria Frass\u00e0&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019&nbsp;<\/strong><br><em>Uncertain 4, <\/em>A, 798 Art Center, Beijing, Cina&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2021&nbsp;&nbsp;<\/strong><br><em>Quadreria 2050<\/em>, MACRO \u2014 Museo d\u2019Arte Contemporanea di Roma, Rome, Italy, curated by Luca&nbsp; Lo Pinto&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022&nbsp;&nbsp;<\/strong><br><em>l\u2019OFFICINA della SCULTURA<\/em>, Bergamo, Italia&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023&nbsp;&nbsp;<\/strong><br><em>Aria, terra, acqua (Aperta parentesi e Elica)<\/em>, La Triennale di Milano e Darsena dei Navigli, Milan,&nbsp; Italy, curated by Marina Pugliese e Alessando Oldani with the collaboration of Giammarco Cugusi <em>Da Volterra 73 alla Fattoria di Celle. Origini, vocazioni e prospettive paesaggistico ambientali&nbsp; dell\u2019arte contemporanea<\/em>, Volterra, curated by Anna Mazzanti&nbsp;<br><em>Sar\u00e0 scultura<\/em>, Piazza Vecchia, Bergamo, Italy, curated by Veronica Botta, Giammarco Cugusi,&nbsp; Edoardo De Cobelli&nbsp;<br><em>Franco Mazzucchelli<\/em>, Chiesa di San Domenico, Alba, curated by Gianni Schiavon &amp; CCH,&nbsp; promoted by Fondazione Mancini Carini in collaboration with ChertL\u00fcdde&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024&nbsp;&nbsp;<\/strong><br><em>Abbandono procession<\/em>, from ChertL\u00fcdde to Klosterfelde Edition, Berlin, Germany <em>La forza dell\u2019aria<\/em>, Visioni Diacroniche, Volvo Studio, Milan, Volvo project curated by BAM \u2013&nbsp; Biblioteca degli Alberi Milan and Palazzo Ducale Fondazione per la Cultura Gucci HUB, Milan&nbsp;<br><em>The Power of Ritual<\/em>, AsFarAs 2024, Engadin, Switzerland, organised by Rolf Sachs, Dario Suter&nbsp; and Lenard F. Krawinkel&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2025\u00a0<\/strong><br><em>Art City Bologna. Le Porte della Citt\u00e0<\/em>, MAMbo, Bologna, Italy, curated by Lorenzo Balbi and Caterina Molteni<br>The Venice Venice Hotel, Venice, Italy<br>Sommerfest, Haus am Waldsee, Berlin, Germany<br><em>Bagni Gonfiabili<\/em>, Pietrasanta e Bagno Piero, Forte dei Marmi, curated by Sabino Maria Frass\u00e0 for Secci Gallery<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026<br>Public Intervention, Port des P\u00eacheurs, Biarritz, France (In the context of the artist&#8217;s solo exhibition at Galerie Champ Lacombe)<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"text-decoration: underline;\">Personale-Personale<\/span> &nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2002&nbsp;&nbsp;&nbsp;<\/strong><br>N 42\u00b0 24,103 &#8211; E 009\u00b0 53,664, Italy&nbsp;<br>Golfo Marconi, Italy&nbsp;<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SOLO SHOW&nbsp;&nbsp;<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1969&nbsp;&nbsp;&nbsp;<\/strong><br><em>Franco Mazzucchelli<\/em>, Galleria Il Canale, Venice, Italy&nbsp;<br><em>Franco Mazzucchelli<\/em>, diagramma arte contemporanea, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1971&nbsp;&nbsp;<\/strong><br><em>A. TO A. di Franco Mazzucchelli, <\/em>Rassegna San Fedele 1970\/71. 8\u00aa Manifestazione, Galleria del&nbsp; Centro Culturale San Fedele, Milan, Italy&nbsp;<br><em>A. TO A. di Franco Mazzucchelli, <\/em>LP 220, Turin, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1972&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Caduta di pressione<\/em>, diagramma, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1975&nbsp;<\/strong><br><em>Franco Mazzucchelli<\/em>, Galleria Il Gelso, Lodi, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1986&nbsp;<\/strong><br><em>Aria confezionata<\/em>, IKB Blu Profondo, Milan, Italy, Soundtrack curated by Martinho Lutero, lighting&nbsp; design by Luigi and Pietro Greppi&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1987&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>La base del mondo e oltre<\/em>, Rocca Sforzesca di Soncino, Soncino, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2001&nbsp;&nbsp;&nbsp;<\/strong><br><em>Marcar o Espa\u00e7o: a a\u00e7\u00e3o artist\u00edca de Franco Mazzucchelli<\/em>, Museu de Arte Contempor\u00e2nea do&nbsp; Paran\u00e1, Curitiba, Brasil&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2002&nbsp;&nbsp;<\/strong><br><em>Luogo E ed altri<\/em>, Circolo Culturale Bertolt Brecht, Milan, Italy, curated by Marina Pugliese&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2004&nbsp;&nbsp;&nbsp;<\/strong><br><em>Bieca Decorazione<\/em>, Spazio Rossana Orlandi, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2009&nbsp;&nbsp;<\/strong><br><em>Ritratti di geometrie e giochi d\u2019aria<\/em>, Galleria Morone, Milan, Italy, curated by Claudio Cerritelli&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2011&nbsp;&nbsp;<\/strong><br><em>Pneuma. Dentro e attorno all\u2019aria &#8211; Opere 1964\/2011<\/em>, Galleria Il Milione, Milan, curated by Matteo&nbsp; Galbiati&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013&nbsp;<\/strong><br><em>Stati di pressione<\/em>, Galleria Monopoli, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014&nbsp;<\/strong><br><em>Pneuma. Progetti, assemblaggi, fotografie (1964-2014)<\/em>, Biblioteca dell\u2019Accademia di Brera, Milan,&nbsp; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015&nbsp;&nbsp;&nbsp;<\/strong><br><em>Pneuma 03<\/em>, PlasMA-Plastic Modern Art, Milan, Italy&nbsp;<br><em>Aria condizionata, <\/em>Poleschi Arte, Milan, Italy&nbsp;<br><em>Non abbandonarmi!<\/em>, Studio Museo Francesco Messina, Milan, Italy, curated by Sabino Maria&nbsp; Frass\u00e0&nbsp;<br><em>Aria Nuova<\/em>, FAM Fabbriche Chiaramontane, Agrigento, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2017&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Riappropriazione<\/em>, Fondazione Converso, Milan, Italy, curated by Michele D\u2019Aurizio&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2018&nbsp;&nbsp;&nbsp;<\/strong><br><em>Pneuma<\/em>, ChertL\u00fcdde, Berlin, Germany&nbsp;<br>BI-FACE, Gaggenau DesignElementi HUB, Milan, Italy, curated by Sabino Maria Frass\u00e0 <em>Non ti abbandoner\u00f2 mai. Franco Mazzucchelli, azioni 1964 \u2013 1979<\/em>, Museo del Novecento, Milan,&nbsp; Italy, curated by Sabino Maria Frass\u00e0, Iolanda Ratti&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019&nbsp;<\/strong><br><em>The Height Whirls, Stronger Than You, Even, <\/em>Hakgojae Gallery, Seoul, South Korea Laura de Santillana e Franco Mazzucchelli, <em>soffi<\/em>, Caterina Tognon Arte Contemporanea, Venice,&nbsp; Italy, curated by Sabino Maria Frass\u00e0&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2020&nbsp;<\/strong><br><em>plong\u00e9e en apn\u00e9e, <\/em>ChertL\u00fcdde, Berlin, Germany&nbsp;<br><em>I Love Multiple<\/em>, Gaggenau DesignElementi, Rome, Italy, curated by Sabino Maria Frass\u00e0&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022&nbsp;&nbsp;<\/strong><br><em>Art To Abandon<\/em>, nw9, Cologne, Germany&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023&nbsp;&nbsp;<\/strong><br><em>Sar\u00e0 scultura<\/em>, Spazio Volta, Bergamo, Italy, curated by Veronica Botta, Gianmarco Cugusi,&nbsp; Edoardo De Cobelli&nbsp;&nbsp;<br>Franco Mazzucchelli, <em>A. To A.<\/em>, Klosterfelde Edition, Berlin, Germany&nbsp;<br>Franco Mazzucchelli, <em>A. On A.<\/em>, ChertL\u00fcdde, Berlin, Germany&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2025\u00a0<\/strong><br><em>2+2=5<\/em>, Polo Assicurativo di Cr\u00e9dit Agricole, Milano, Italia, curated by Sabino Maria Frass\u00e0<br>Franco Mazzucchelli and Santo Tolone, <em>Franto Sanco<\/em>, SPS, Milan, Italy<br><em>IS IT YOURS? IS IT MINE?<\/em>, Galerie Hussenot, Paris, France<br>Franco Mazzucchelli and Fulvio Morella, <em>LUDI &#8211; L&#8217;arte \u00e8 un abbraccio<\/em>, Palazzo Lombardia, Milan, Italy, curated by Sabino Maria Frass\u00e0<br><em>Franco Mazzucchelli. Blow Up<\/em>, MAN &#8211; Museo d&#8217;Arte Provincia di Nuoro, Nuoro, Italy, curated by Marina Pugliese, in collaboration with MUDEC Museo delle Culture, Milan, Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026<br>Franco Mazzucchelli, Galerie Champ Lacombe, Biarritz, France<br>Franco Mazzucchelli, Plan C Framework, Milan, Italy, organised by Margherita Castiglioni\u00a0\u00a0<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>GROUP SHOW&nbsp;&nbsp;<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1965&nbsp;&nbsp;&nbsp;<\/strong><br><em>5 Europese Academies<\/em>, Ontmoeten Elkaar, Madurodam, Netherlands&nbsp;&nbsp;<br>a<em>ngera 1965. Prima Mostra Internazionale di Scultura e Pittura, <\/em>Rocca di Angera, Angera, Italy <em>Arts 1965<\/em>, Palazzo della Ragione, Mantua, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1966&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>Centro Culturale San Fedele, Milan, Italy, curated by Franco Passoni&nbsp;<br><em>Mostra Internazionale<\/em>, Spoleto, Italy, curated by D. Masi&nbsp;<br><em>Nuove tendenze<\/em>, Mantua, Italy&nbsp;<br>Centro Culturale Pirelli, Milan, Italy&nbsp;<br><em>Premio Citt\u00e0 di Milan<\/em>, Galleria d&#8217;Arte Moderna, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1967&nbsp;&nbsp;&nbsp;<\/strong><br><em>Interni contemporanei, Int\u00e9rieurs d\u2019ajourd\u2019hui, Contemporary Interiors. Accostamenti di arredi,&nbsp; quadri e sculture d\u2019oggi<\/em>, Galleria San Fedele, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1968&nbsp;&nbsp;<\/strong><br><em>Premio San Fedele 1968<\/em>, Centro Culturale San Fedele, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1969&nbsp;&nbsp;&nbsp;<\/strong><br><em>Giovani Artisti alla Rassegna San Fedele 1969<\/em>, Centro Culturale San Fedele, Milan, Italy <em>Nuove strutture plastiche a funzione estetica<\/em>, Centro Internazionale Ricerche Plastiche 2B,&nbsp; Bergamo, Italy&nbsp;<br><em>Ricerche 1969<\/em>, Galleria d\u2019arte Il Brandale, Savona, Italy&nbsp;<br><em>Ricerche 1969<\/em>, Galleria d\u2019arte S. Gerolamo, Millesimo, Italy&nbsp;<br><em>Hara<\/em>, Galleria d\u2019arte Punto Quadrato, Bassano del Grappa, Italy, curated by Antonio Fomez <em>le 2 realt\u00e0<\/em>, Centro Internazionale di Ricerche d\u2019Arte, Castello di Lerici, Lerici, Italy; Torre del Mare,&nbsp; Bergeggi, Italy&nbsp;<br>nuove <em>ormai vecchie materie elaborate maltrattate analizzate trasformate riinventate<\/em>, Fornaci di&nbsp; Cunardo, Cunardo, Italy&nbsp;<br><em>Meno 31. Rapporto estetico per il duemila<\/em>, Comune di Varese &#8211; Centro Culturale &lt;&lt;Nuove&nbsp; Frontiere&gt;&gt;, Varese, Italy, curated by G. Franco Maffina, Luciano Inga-Pin&nbsp;<br><em>CO \/ INCIDENZE<\/em>, XX Rassegna d\u2019Arte Contemporanea, Massafra, Italy&nbsp;<br><em>Prospettive 4<\/em>, Galleria Due Mondi, Rome, Italy, 1969-1970, curated by Enrico Crispolti, Giorgio Di&nbsp; Genova&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1970&nbsp;&nbsp;&nbsp;<\/strong><br><em>Prospettive 4<\/em>, Accademia dei Concordi, Rovigo, Italy, curated by Enrico Crispolti, Giorgio Di&nbsp; Genova&nbsp;<br><em>Intesa e protesta nella segnaletica<\/em>, Fornaci di Cunardo, Cunardo, Italy&nbsp;<br><em>InterVENTO, <\/em>diagramma, Milan, Italy, organizzato da Studio 970, curated by Luciano Giaccari&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1971&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Objekte, Projekte, Pl\u00e4ne. Konzept Kunst aus Italien<\/em>, Galerie Annemarie Verna, Z\u00fcrich, Switzerland&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1976&nbsp;&nbsp;&nbsp;<\/strong><br><em>L&#8217;ambiente come sociale<\/em>, XXXVII Biennale di Venezia, Padiglione Italia, Giardini di Castello,&nbsp; Venice, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1977&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>XXVIII Mostra nazionale di pittura, Capo d\u2019Orlando, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1978&nbsp;&nbsp;<\/strong><br><em>Post no bills, Segnali urbani. Parole e segni in una comunicazione con materiali &lt;&lt;a perdere&gt;&gt;,&nbsp; <\/em>Centro Internazionale di Brera, Milan, Italy, organised by Fernando de Filippi, Ugo la Pietra, Franco&nbsp; Mazzucchelli&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1985&nbsp;&nbsp;<\/strong><br>Davide Boriani, Franco Mazzucchelli, Mauro Staccioli, Galleria Visualit\u00e0, Milan, Italy <em>Tra concettualit\u00e0 e rappresentazione<\/em>, Palazzo Ricci, Montepulciano, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1986&nbsp;&nbsp;&nbsp;<\/strong><br><em>Undicesima Quadriennale di Roma<\/em>, EUR &#8211; Palazzo dei Congressi, Rome, Italy La Triennale di Milano, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1992&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Art Fence. L&#8217;arte salva l\u2019arte<\/em>, Rotonda della Besana, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1993&nbsp;&nbsp;&nbsp;<\/strong><br><em>La citt\u00e0 di Brera, Artisti dell&#8217;Accademia in mostra<\/em>, Palazzo della Ragione, Milan, Italy, curated by Rolando Bellini&nbsp;<br><em>XXXII Biennale Nazionale d&#8217;Arte Citt\u00e0 di Milan<\/em>, Palazzo della Permanente e Sala Napoleonica&nbsp; dell&#8217;Accademia di Brera, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1996&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Tra peso e leggerezza. Figure della scultura astratta in Italia<\/em>, Parco e Sala Comunale della Citt\u00e0 di&nbsp; Cant\u00f9, Cant\u00f9, Italy, curated by Claudio Cerritelli&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1997&nbsp;&nbsp;&nbsp;<\/strong><br><em>Costellazioni. Disseminazioni di arte visiva di cento e pi\u00f9 artisti<\/em>, Teatro dell&#8217;Arte CRT, Milan, Italy,&nbsp; curated by Nanda Vigo&nbsp;<br><em>Ovunque l\u2019occhio posa \u00e8 l\u2019incanto<\/em>, Ruffoli, Italy, curated by Pietro Carini&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1999&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Brera 2000, nuovi orizzonti della conoscenza: Della spiritualit\u00e0 del corpo<\/em>, X Edizione d\u2019arte sul&nbsp; tema: <em>Civilt\u00e0 Contadina: Valori e memorie<\/em>, Palazzo Longoni, Borgolavezzaro, Italy; Arengo del&nbsp; Broletto, Novara, Italy&nbsp;<br><em>Proiezioni Duemila. Lo spazio delle arti visive nella civilt\u00e0 multimediale<\/em>, XIII Quadriennale d\u2019arte di&nbsp; Roma, Palazzo delle Esposizioni, Rome, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2000&nbsp;<\/strong><br><em>Brera in Corea &#8211; Proiezione internazionale dell\u2019Accademia di Belle Arti di Milan nel mondo<\/em>, Seoul,&nbsp; South Korea&nbsp;<br><em>Daegu\u2022Milan Arts Exhibition<\/em>, Daegu, South Korea&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2001&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Veleni. Animali, Vegetali, Minerali, Arte e Leggenda<\/em>, Villa Reale di Monza, Monza, Italy <em>Labirinto dell\u2019immaginario. Artisti dall\u2019Accademia di Brera<\/em>, XXXIX Premio Vasto d\u2019arte&nbsp; contemporanea, Vasto, Italy, curated by Claudio Cerritelli&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2003&nbsp;&nbsp;&nbsp;<\/strong><br><em>Polimera<\/em>, materiamadre 6, Torre Colombera, Gorla Maggiore, Italy, curated by Claudio Cerritelli <em>Plastica d&#8217;artista<\/em>, Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, Milan,&nbsp; Italy, curated by Tommaso Trini&nbsp;<br><em>Meccaniche della meraviglia<\/em>, Desenzano del Garda, Manerba del Garda, Puegnago sul Garda,&nbsp; Italy, S. Felice del Benaco, Italy&nbsp;<br><em>Arte negli spazi pubblici<\/em>, Circolo culturale Bertolt Brecht, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2004&nbsp;&nbsp;<\/strong><br><em>Nel Segno della Vita<\/em>, X Edizione, MAC, Pavia, Italy, curated by Claudio Cerritelli <em>Plastica d\u2019artista<\/em>, Palazzo Mantica, Pordenone, curated by Maria Campitelli&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2005&nbsp;&nbsp;<\/strong><br><em>Entrata Libera<\/em>, Fuori Salone, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2006&nbsp;&nbsp;<\/strong><br><em>Il Faro<\/em>, Pisogne, Italy, curated by Giampietro Guiotto&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008&nbsp;&nbsp;<\/strong><br><em>Clicking the territory. Windows of lights and darkness<\/em>, Biblioteca Civica Pietro Ceretti e Parco di&nbsp; Villa Maioni, Verbania, Italy, curated by Pina Inferrera, Michaela Mander&nbsp;<br><em>Nuove sinestesie<\/em>, 46\u00b0 Premio Suzzara, Suzzara, Italy, curated by Bruno Bandini, Claudio Cerritelli,&nbsp; Luigi Sansone&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2009<\/strong><br><em>Noi siamo qui, <\/em>inContemporanea IV Edizione, La Triennale di Milan, Milan, Italy, curated by Gabi&nbsp; Scardi&nbsp;<br>Bocconi Art Gallery, Milan, Italy&nbsp;<br><em>Clicking the cosmos<\/em>, Museo A. Malandra, Vespolate, Italy, curated by Pina Inferrera&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010&nbsp;&nbsp;<\/strong><br><em>Site Specific<\/em>, Museo MA*GA, Gallarate, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2011&nbsp;&nbsp;<\/strong><br><em>Fuori! Arte e spazio urbano1968-1976<\/em>, Museo del Novecento, Milan, Italy, curated by Silvia&nbsp; Bignami, Alessandra Pioselli&nbsp;<br>Bocconi Art Gallery, Universit\u00e0 Bocconi, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2012&nbsp;&nbsp;<\/strong><br><em>Meccaniche delle Meraviglie VIII<\/em>, Isola del Garda, Italy&nbsp;<br><em>Tecnica mista. Come \u00e8 fatta l&#8217;arte del 900<\/em>, Museo del Novecento, Milan, Italy, curated by Marina&nbsp; Pugliese&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013&nbsp;<\/strong><br><em>Milan e gli anni della grande speranza (1966-1976)<\/em>, Universit\u00e0 Bocconi, Milan <em>Pensare lo spazio: dialoghi tra natura e immaginazione \/ Sensing space: Dialogues between&nbsp; Nature Imagination, <\/em>Biennale Internazionale di Scultura. Racconigi 2013, Racconigi, Italy, curated&nbsp; by Claudio Cerritelli&nbsp;<br><em>E subito riprende il viaggio\u2026 Opere dalle collezioni del MA*GA dopo l&#8217;incendio<\/em>, Reggia di Monza,&nbsp; Monza, Italy, curated by Emma Zanella, Giulia Formenti&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014&nbsp;&nbsp;<\/strong><br><em>Workwear (Abiti da lavoro)<\/em>, La Triennale di Milan, Milan, Italy, curated by Alessandro Guerriero <em>Magnetikzone<\/em>, Galleria art IX-XI, Budapest, Hungary, curated by Antonio Sammartano, Darine&nbsp; Rajhi&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015&nbsp;<\/strong><br><em>Volterra 73.15. Memoria e prospezione<\/em>, Volterra, Italy, curated by Enrico Crispolti, Anna Mazzanti <em>OLTRE il 1\u00b0 piano \/ BEYOND the foreground<\/em>, Istituto Italiano di Cultura di Budapest, Budapest,&nbsp; Hungary, curated by Sabino Maria Frass\u00e0&nbsp;<br><em>Elisir di Lunga Vita<\/em>, Biennale Italy-Cina 2015, Mastio della Cittadella, Turin, curated by Sandro&nbsp; Orlandi Stagl&nbsp;<br><em>ACQUA\u00e8<\/em>, Expo Venice Aquae, Milan, Italy&nbsp;<br><em>OLTRE<\/em>, Casa Museo Boschi di Stefano, Milan, Italy&nbsp;<br><em>Abbey Contemporary Art, <\/em>Abbazia di San Remigio, Parodi Ligure, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2016&nbsp;<\/strong><br><em>Oltre Roma<\/em>, Galleria dell\u2019Accademia di Ungheria in Roma, Roma, Italy, curated by Sabino Maria&nbsp; Frass\u00e0&nbsp;<br><em>Workwear (Abiti da lavoro)<\/em>, Sheila C. Johnson Design Center, Anna-Maria and Stephen Kellen&nbsp; Gallery, New York, Stati Uniti; Columbia College Chicago, Chicago, Stati Uniti; Casa d&#8217;Italy,&nbsp; Montreal, Canada, curated by Alessandro Guerriero&nbsp;<br><em>La parola agli artisti. Arte e impegno a Milan negli anni &#8217;70<\/em>, Museo d&#8217;Arte Contemporanea Lissone,&nbsp; Lissone, Italy, curated by Cristina Casero e Elena Di Raddo&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2017&nbsp;<\/strong><br><em>Workwear (Abiti da lavoro)<\/em>, Harbourfront Centre, Toronto, Canada, curated by Alessandro Guerriero&nbsp;<br><em>Arte ribelle 1968-1978. Artisti e attori della contestazione in Italy<\/em>, Galleria Gruppo Credito&nbsp; Valtellinese, Refettorio delle Stelline, Milan, Italy, curated by Marco Meneguzzo <em>Mirrors<\/em>, Milan, Italy, curated by Alessandro Buganza in collaboration with Margherita Castiglioni <em>Limiti-confini<\/em>, Museo del Duomo, Milan, Italy, curated by Sabino Maria Frass\u00e0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2018&nbsp;<\/strong><br><em>Floating Utopias<\/em>, nGbK, Berlin, Germany, curated by Art\u00far van Balen, Fabiola Bierhoff, Alexander&nbsp; Dunst, Anna Hoetjes, Jantien Roozenburg, Hannah Zindel&nbsp;<br><em>the bfg<\/em>, kaufmann repetto, New York, Stati Uniti&nbsp;<br><em>Vita, Morte, Miracoli. L\u2019arte della Longevit\u00e0<\/em>, Villa Croce, Genoa , curated by Carlo Antonelli e Anna&nbsp; Daneri&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019&nbsp;<\/strong><br><em>Materie Prime. Artisti Italyni Contemporanei tra terra e luce \/ Raw Materials. Contemporary Italyn&nbsp; Artists between Earth and Light<\/em>, Rocca Roveresca, Senigallia, Italy, curated by Giorgio Bonomi,&nbsp; Francesco Tedeschi, Matteo Galbiati&nbsp;<br><em>Negative Space<\/em>, Center for Art and Media &#8211; ZKM, Karlsruhe, Germany, curated by Peter Weibel&nbsp; with Anett Holzheid, Daria Mille&nbsp;<br><em>Floating Utopias<\/em>, ArtScience Museum, Singapore, curated by Art\u00far van Balen, Fabiola Bierhoff,&nbsp; Alexander Dunst, Anna Hoetjes&nbsp;<br><em>Time Is Thirsty<\/em>, Kunsthalle Wien, Wien, Austria, curated by Luca Lo Pinto&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2020&nbsp;<\/strong><br><em>Floating Utopias<\/em>, Lunds konsthall, Lund, Sweden, curated by Art\u00far van Balen, Fabiola Bierhoff and Anna Hoetjes&nbsp;<br><em>Museo per l\u2019Immaginazione Preventiva \u2014 Editoriale<\/em>, MACRO \u2014 Museo d\u2019Arte Contemporanea di&nbsp; Roma, Rome, Italy, curated by Luca Lo Pinto&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2021&nbsp;&nbsp;<\/strong><br><em>Aerodream. Architecture, design and inflatable structures 1950-2020<\/em>, Centre Pompidou-Metz,&nbsp; Metz, France, curated by Fr\u00e9d\u00e9ric Migayrou e Valentina Moimas&nbsp;<br><em>Aerodream. Architecture, design and inflatable structures<\/em>, Cit\u00e9 de l&#8217;architecture &amp; du patrimoine,&nbsp; Paris, France, curated by Fr\u00e9d\u00e9ric Migayrou e Valentina Moimas&nbsp;<br><em>K60<\/em>, Wilhelm Hallen, Berlin, Germany&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022&nbsp;&nbsp;<\/strong><br><em>Vita Nuova. New challenges for art in Italy. 1960-1975<\/em>, Mus\u00e9e d&#8217;Art Moderne et d&#8217;Art&nbsp; Contemporain de Nice (MAMAC), Nice, France, curated by Valeria Da Costa&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023&nbsp;&nbsp;<\/strong><br><em>My Demons My Angels<\/em>, ChertL\u00fcdde, Berlin, Germany&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024&nbsp;&nbsp;<\/strong><br><em>Stranieri Ovunque \u2013 Foreigners Everywhere<\/em>, 60. Esposizione Internazionale d\u2019Arte, La Biennale di&nbsp; Venezia, Padiglione della Repubblica del Camerun, Venice, Italy&nbsp;<br><em>Il resto di niente<\/em>, Museo Madre, Naples, Italy, curated by Eva Fabbris with Giovanna Manzotti, an&nbsp; idea by Sabato De Sarno&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2025&nbsp;&nbsp;<\/strong><br><em>The Story of Public Art \u2013 Dancing in the Streets (On Power)<\/em>, MAPS &#8211; Museum of Art in Public Spaces, K\u00f8ge, Denmark, curated by Charlotte Sprog\u00f8e<br><em>In Bloom<\/em>, Borderline Art Space, Lake Lugano, Lugano, Switzerland, curated by Riccardo Lisi<br><em>The book on the shelf,<\/em> Nicolas Krupp Gallery, Basel, Switzerland, curated by Kaspar M\u00fcller<br><em>Franco Mazzucchelli: Bicono Nero<\/em>, Kunstverein Braunschweig, Braunschweig, Germany, curated by Cathrin Mayer<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SET DESIGN&nbsp;&nbsp;<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1971&nbsp;&nbsp;&nbsp;<\/strong><br>Spazio Anny Di Gennaro, Milan, Italy&nbsp;<br>Societ\u00e0 Italyna Resina, Fiera Campionaria, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1972&nbsp;&nbsp;&nbsp;<\/strong><br><em>Habitat Italy-Tokyo 72. 1st show of modern Italyn interior design organized by the studios Luciano&nbsp; Vaccari &#8211; Enrico Yamazaki<\/em>, Ohtemachi Annex Nippon Buiding, Tokyo, Japan Showroom Garavaglia, Naples, Italy&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1973&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Laborintus<\/em>, di Luciano Berio, Piccola Scala, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1974&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Tutti insieme separatamente<\/em>, Teatro Manzoni, Milan, Italy, directed by Sandro Massimini&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1977&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>I giorni felici<\/em>, Teatro Arsenale, Milan, Italy, directed by Vitalone,&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1978&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Autotono<\/em>, Teatro Comunale, Treviso, Italy, composer Sylvano Bussotti&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1981&nbsp;&nbsp;&nbsp;<\/strong><br><em>Cantiere internazionale d&#8217;arte<\/em>, Montepulciano, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1982&nbsp;&nbsp;&nbsp;<\/strong><br><em>Lo spazio di Leonardo<\/em>, Teatro Carcano, Milan, Italy, directed by Falco e Bufano <em>Il lago dei Cigni<\/em>, Arena di Verona, Verona, Italy, directed by Beppe Menegatti&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1984&nbsp;&nbsp;&nbsp;<\/strong><br><em>Due Piramidi<\/em>, Cortile del Palazzo del Senato, Milan, Italy, project by Studio Azzurro&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1994&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Valchiria<\/em>, Teatro alla Scala, Milan, Italy&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1998&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>Moschino Men S\/S Collection, Societ\u00e0 del Giardino, Milan&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2000&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br><em>Peter Pan<\/em>, Piccolo Teatro, Milan, Italy&nbsp;<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>OTHER PROJECTS&nbsp;&nbsp;<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1967&nbsp;&nbsp;<\/strong><br>Scuola Montessori, Milan, Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>INTERVENTION&nbsp;&nbsp; Abbandoni&nbsp; 1964&nbsp;&nbsp;Parc Les Arnelles, Place de l\u2019\u00c9glise, Saintes-Maries-de-la-Mer, Camargue, France&nbsp; 1968&nbsp;&nbsp;Via Crenna, Gallarate, Italy&nbsp; 1969&nbsp;Villa Crippa, Varese, Italy&nbsp;Via Crenna, Gallarate, Italy&nbsp;Saintes-Maries-de-la-Mer, Camargue, France&nbsp;Biblioteca Villapizzone, Milan, Italy&nbsp;Nuove strutture plastiche a funzione estetica, Centro Internazionale Ricerche Plastiche 2B,&nbsp; Bergamo, Italy&nbsp;Ozzero, Italy&nbsp; 1970&nbsp;Alpe Bill, Macugnaga, Italy&nbsp;Lago di Como, Como, Italy&nbsp;Via Cesare Battisti, Gallarate, Italy&nbsp;Saintes-Maries-de-la-Mer, Camargue, France&nbsp; A.TO [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-180","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/pages\/180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/comments?post=180"}],"version-history":[{"count":12,"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/pages\/180\/revisions"}],"predecessor-version":[{"id":966,"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/pages\/180\/revisions\/966"}],"wp:attachment":[{"href":"https:\/\/www.francomazzucchelli.it\/ENG\/wp-json\/wp\/v2\/media?parent=180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}