1980- ...
The numerous urban works of this Milanese artist have been replaced since the early Nineties by computer designs made specially for the city. It is a sort of electronic "Re-appropriation" which bears effective witness to the current conception of a different relationship between the creation and use of a thing. The artist therefore uses a scanner to re-appropriate the projection into the urban space of a society strongly inclined towards the individualistic dimension.
Thus Mazzucchelli's virtual intervention re-appropriates the city, overcoming the search for interaction that now meets no response by presenting multiple interpretations of the same site in a Logic of absolute freedom and possibilities. The artist moves freely between the "exhibitions" of the past without getting caught in the webs of bureaucracy and with equally problematic results which, however, are more appropriate to the times.
